Augusto is a man of about 50, the father of a classic high-bourgeois family. Alone in the house he is attracted by the sound of a cell phone. Augusto finds the cell phone forgotten by his teenage son at home. A series of messages attract his attention, they are those of Trilly99, a young user of the social network MatchUp. Trillly99 proposes a game: she will start sending photos of small details of herself and he will have to replicate in the same way. Intrigued Augusto decides to play along but it will not be easy for her to hide her true age. He dresses in his son's t-shirt, shaves his chest, hides wrinkles and a white beard behind a Wrestler mask and spreads his wife's body oil. How far will this grotesque ploy in search of the perfect photo push our Pater familias 2.0?
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
Dashing in December follows the tried and true outline of a traditional holiday romance, with a less traditional middle-aged gay couple as the film's romantic focus.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
In season 2 of “Never Have I Ever," Devi make many mistakes in a messier season that explores the complex lives of its diverse cast more in-depth than before.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.
