There are movies that fill the screen with sound and motion, and then there are the quiet ones — the kind that lean in gently, unfold slowly, and ask you to pay attention not to the volume, but to the silence. Past Lives is one of those films.
It begins with two kids in Seoul — Nora and Hae Sung — walking side by side like nothing in the world could ever split them apart. But the world does what it always does. Nora’s family emigrates, and just like that, Hae Sung becomes a part of a chapter she has to leave behind. No dramatic farewell. No promises made. Just a space where connection used to be.
What makes this story so intimate is how it lets time pass without rushing to fill the gaps. We meet Nora years later, now a writer in New York, fluent in both English and a version of herself that’s had to adjust. She is smart, composed, and settled — until Hae Sung finds her again. When they reconnect, it’s not an explosion. It’s a question. A soft one. What if?
After decades apart, childhood friends Nora and Hae Sung are reunited in New York for one fateful weekend as they confront notions of destiny, love, and the choices that make a life.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
Mohit Suri’s Saiyaara (2025) is a soulful musical romance led by fresh faces Ahaan Panday and Aneet Padda. A heartfelt tale of love, grief, and emotional healing that’s taking the Indian box office by storm.