Lighthearted but Shallow: 1Up's Take on Women in Gaming
In a post-Gamergate media landscape, it's ambitious to have a film confront the harsh reactions to women in gaming from a comedic lens.

It’s 2019 in Boston, MA, and 18-year-old Billie, a pre-professionally Vaganova-trained ballet dancer, has four months until her final pas de deux exam. She has one goal: to be better than Gia, the best dancer in the class, a ballet “unicorn", and the girl who just became Billie's new roommate. Is it just rivalry and envy, or is there something else at play?
In a post-Gamergate media landscape, it's ambitious to have a film confront the harsh reactions to women in gaming from a comedic lens.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
For a young girl who wishes to keep her current traditions, this holiday will end up with a surprise twist.
The plot lags, the moral lessons are misguided, but are those fluffy little donut creatures adorable? Yes. Yes, they are.
Like most young people, Leviticus is imperfect. But I love it anyways.