Ang Lee's 'Hulk': Bruce Banner's Inner Demon
When science, Bruce Banner is exposed to gamma radiation from his experiment, he transforms into a gigantic green monster when he gets angry and wreaks havoc wherever he goes.

A long time ago, in a place now known as the eighties, in Puerto Rico you were either a “cocolo”, somebody who listened to music from the ghetto and the streets, or a “rockero”, those who listened to American pop music. Javier is a “cocolo” who’s trying to find the courage to ask out the girl of his dreams. Laura, the prettiest “rockera” in their school, is trying to regain her popularity after her friends reject her for being a flirt. During a mix up at their high school, Laura and Javier are forced to enter a TV dance contest. In order to win, the snotty rich girl and the guy from the wrong side of the tracks have to discover that comedy and teenage angst move to same beat.
When science, Bruce Banner is exposed to gamma radiation from his experiment, he transforms into a gigantic green monster when he gets angry and wreaks havoc wherever he goes.
I was able to sit down and talk with singer/songwriter Carson Lueders about his career in the music industry. We talked influences from country music to Pop, and his working relationship with Quavo from the The Migos.
I have talked with founder of Red Nation Television Network, Joanelle Romero, and the future of Indigenous representation looks bright.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
These openly gay Hollywood figures risked so much by being honest about their sexuality: judgment, loss of employment, hate – even violence and death.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.