
An ORF III production about resistance in Upper Styria. The Styrian Iron Road region around Leoben and the Erzberg was a key center of resistance against National Socialism, rooted in a long tradition of workers’ rights struggles. Courageous freedom fighters, including figures from the workers’ movement such as Sepp Filz and Max Muchitsch, formed the Austrian Freedom Front Leoben-Donawitz and risked their lives opposing the Nazi dictatorship. They fought for a free, democratic Austria as the regime led the country toward destruction. The film recounts daring acts of sabotage against the wartime economy, deadly clashes with Nazi troops in the Eisenerz mountains, and brave women such as Mathilde Auferbauer and Christine Berger, who were deported to Ravensbrück for supporting the partisans. After the war, Filz and his comrades saved the Donawitz steelworks from Nazi destruction and helped rebuild democracy in Upper Styria.
Udo Kier takes center spotlight in 'Swan Song' as Pat Pitsenbarger, a gay beautician who comes out of retirement for one last job and rediscovers himself along the way.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Growing up without a dad, I got a lot of my fatherly advice from the prototypes I saw on the silver screen. It’s these characters and films that gave me a glimpse into a dynamic I had never known but also made me realize that I was missing out. Here are my top 10 paternal films.
At least we got the original cast back, right? Not even that saves it. None of them could bring a sliver of hope to this special. Rather, they bring dread as we witness the light leaving from their eyes.