The corpse of a young man shows up at the shores of Atalante marking the return of Isidore to the territory of the living. But coming back from the dead is a delicate affair. As he follows the traces of his past lives in search of lost memories and the promise of a story, Isidore finds himself caught in a deceitful web of narratives within narratives, a world of Time Travelers and Doppelgängers, Picture Eaters and Textile Merchants, Phantom Friends and Phantom Lovers.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
These openly gay Hollywood figures risked so much by being honest about their sexuality: judgment, loss of employment, hate – even violence and death.
The film's Incluvie rating is off the charts. It features Black, Muslim, queer, trans humans whose moms hold them up, fight for them, and love them for who they are...making anything possible.
A short hybrid film featuring everyone's favorite Disney characters.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
Even if Drive My Car (2021) doesn't win Best Picture, it exudes a palpable sense of dreariness and lifelessness that is further embodied by Yusuke, portrayed tragically by Hidetoshi Nishijima. Check out movie reviews & summary!
