'Unveiled': Why Did They Get Married?
The more we learned with each passing minute the bigger the reveal. This film ends with a serious bang and it was truly a joy to watch.

Parish is an hybrid documentary that examines the representation of community identity. The film follows a communal choreography; a cinematic moveable feast where a diverse group of people add colour, nuance and shape to their community identity through the vivid, visceral nature of memory and its connection to dramatic experience. Shot on 16mm film in the Dublin suburb where the director grew up and inspired by the ritual of Beating The Bounds, Parish is a film work that utilizes documentary, fiction, biography, myth, and memoir.
The more we learned with each passing minute the bigger the reveal. This film ends with a serious bang and it was truly a joy to watch.
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
I highly recommend Dark Waters. It’s a highly engrossing picture, which lends itself to cautionary storytelling. The dark information continually grows, inspiring change and accountability altogether. Overall, Haynes’ picture will not be known for its inclusiveness--but it will be known for being a fantastic, engrossing film.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.