Paris By Night 81: Âm Nhạc Không Biên Giới II (2006)

The Olivia Wilde renaissance is upon us.

Hokum is an enjoyable horror film that will probably get a little under your skin, but it isn’t the tour de force that you might be expecting.

Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.

The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.

The newest in a long line of Cinderella adaptations, Amazon’s Cinderella (2021) prizes girlbossification above the very story it tries to adapt.

These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.