‘Monsoon’ : Hazy Memories of Home
After his family fled to England after the Vietnam War, Kit returns home to Saigon.

The artist Gopal once asked his geologist friend: "Tell me, Shankar, what kind of bride do you want?" The modest Shankar replied: "I would like her to sing a little, just a little. And I would like her to be beautiful. That's all... Chance brought him together with a girl of rare beauty. But there was a problem: Shivani (that was her name) was from a poor family and had already been betrothed to an unloved but wealthy old man. Upon learning this, Shankar decided to disrupt the wedding and marry Shivani. He was in such a hurry to carry out his sudden decision that he did not even have time to talk to his bride. Talk... Even if he had wanted to, it would not have been possible: it was only after the wedding that he learned of the terrible illness his wife was suffering from...
After his family fled to England after the Vietnam War, Kit returns home to Saigon.
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
Attack of the Killer Tomatoes: Organic Intelligence is not merely the fourth sequel in a cult classic film about a delicious vegetable apocalypse: it’s a love letter to slapstick, sight gags, and the original 1978 film. It’s also a meta-comedy, spy-thriller parody taking place in a world where the original film series was a documentary about the horrors of the Tomato War that the government covered up by convincing everyone it was a comedy. Taking place in 2026, Organic Intelligence sees genetically modified tomatoes grown out of control and rising up to attack humanity again - luckily, Agent Maria Sifuentes (Myrna Velasco) of the Federal Vegetable Investigation Bureau is there to uncover the corporate conspiracy behind it, and she won’t take no for an answer.
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.