Revisiting 'Rocketman'
Falling in love with 'Rocketman" all over again.

Ballet master Pierre Lacotte brings the long-dormant "Paquita" back to life at the Paris Opera (where it debuted in 1846) in this fanciful tale about a noble child kidnapped and raised by gypsies, never suspecting she's of royal blood. The ballet retains much of its original character, thanks in part to Lacotte's faithful choreography and Luisa Spinatelli's authentic sets and costumes, which were modeled after the originals.
Falling in love with 'Rocketman" all over again.
The singer recounts the memories of writing and creating her record-breaking debut album and shares her feelings as a young woman navigating a specific time in her life.
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.