Wake Up, Dead Man (Everyone's Included Until Somebody Gets Stabbed)
When a powerful church leader is found dead, Benoit Blanc enters a tight-knit community where everyone has secrets, but not everyone is fully developed.

One of Istanbul's old neighborhoods wakes up to the news of Binnaz Hanım's death. Binnaz is the mother of Birol and Şenol. Shocked by her death, Binnaz Hanım regains consciousness after a while. Hilmi, a fake imam, leads the funeral prayer. Upon seeing that Binnaz Hanım has regained consciousness, Hilmi, Birol, and Şenol decide to rob a bank, taking Eda along with them. They hide the stolen money inside the coffin, disguised as funeral decorations, and set off for the cemetery. The fake imam tries to outsmart his friends and take the money for himself. The four friends, with the mafia hot on their heels, face every possible misfortune.
When a powerful church leader is found dead, Benoit Blanc enters a tight-knit community where everyone has secrets, but not everyone is fully developed.
In a film where a Black couple is framed to be the lead characters, they still managed to get shuffled off to the sidelines. The enthusiastic cast delivers well on goofy bits- but can only go so far before they begin to fall flat.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?
This indie short documentary archived the story of a staple rock band as well as an essential part of local history.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.
I highly recommend Kill Bill: Volume 2. In classic Tarantino fashion, specific sections of the film are a tad too long, but overall, it’s a wonderful piece of escapist fiction.