The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

Mader is trying to unify the land of Asato using giant robots. A legend says that a champion, the giant of Iron, will come to destroy all lesser armour. Mader's ambitious son Hai tries to kill him and his other children, Hai's own brother Jordy and little sister Chururu, wanting no question as to the succession.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
Slip on your favorite dungarees and spend the day on the east coast of New Zealand before the 90s.
The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.
Hoppers is a fun ride with a deep message underneath. In true Pixar fashion, Hoppers explores the complexity of emotions and learning to be still in a world that demands fast progress. Through the main character Mabel, we are reminded what it is like to let ourselves feel big emotions. But also how not to be controlled by them.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.