'Slumber Party Massacre': Gory, Fun, and Feminist Slasher Remake
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.

Marta and her daughter Nina move to Malanotte, a small mountain village. The little girl has been suffering from hypnagogic paralysis for some time, a sleep disorder which can lead to hallucinatory states, and Marta thought that a bit of mountain air and distance from the frenetic rhythm of city life might benefit the little girl. However, the house they move into is anything but welcoming, and children are never seen playing in the streets of Malanotte. Nina’s symptoms begin to worsen from the very first night in the new house, and the little girl has more and more vivid nightmares in which a ghostly figure sits on her chest, immobilises her and steals her breath. For Marta, a single mother in a place she finds increasingly sinister, it will become harder every day to know what is best for her child.
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.
This magical reboot introduces a new set of Charmed ones, much to the ire of fans of the original series.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.