
By inventing a fictional alter ego of himself, director Florian Seufert puts himself in the position to be at the same time the observed object and the observer. In his very personal ways, Florian Seufert appears to re-imagine the spiritual teachings of Carlos Castaneda and the otherworldly musings of Alejandro Jodorowski. Thus, this filmic out-of-body experience becomes an allegory for cinema itself and a sensorial voyage towards a new way of self-discovery. While shamans connect with the hidden realms of ghosts and their ancestors, the circle of life and death becomes whole once again, Florian, living with the Huichol, sheds his former self like an old and useless skin. *Pamparios* is a film about (the search for) self-realization. A film like an LSD trip. Like a dream within a dream hidden inside a secret dream. A challenging debut from an extremely promising director. Giona A. Nazzaro
A historic documentary about the iconic Disney character gives viewers a glimpse into animation.
The film centers around two young women, Becca and Sam, who were once high school sweethearts until they reconnect in their town.
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.