Once Upon a Time in (White) Hollywood
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

Recorded live at the Stables Theatre, Milton Keynes in June 2007, Pam performs her comic poetry, stories, and observations on life. This one woman live stage show includes a mix of brand new poems and monologues, and some classic pieces including the 'The Wonderbra', 'Sexy at Sixty', 'I'm Ready Mr Prescott', and the brand new 'Pension Poem', all delivered with a joyful, wicked sense of humour which captures Pam Ayres, recently turned 60, at the top of her game.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
SPOILERS AHEAD. Sweet Sweetback's Baadasssss Song distinguished itself from Hollywood films of its time by introducing New Wave cinema storytelling methods into Black cinema.
'Jungle Cruise' is fun if you can ignore the racism of the ride it’s based on and the film’s bland, stereotypical characters.
'Kobra Auto Retrato' chronicles the inspiring journey of Kobra, a world-renowned Brazilian muralist and street artist.
An aspect of She-Ra that I find refreshing is even though a large portion of the cast is on the LGBTQ+ Spectrum, being gay is never mentioned. While this might initially sound like a negative thing, in the show’s land of Etheria being on the gay spectrum is shown to be so common and normalized that straight isn’t the default. As much as there is to appreciate about narratives revolving around the obstacles that may come from being non-heteronormative, it’s nice to get immersed in a world where no one bats an eye at all to any sort of differing identity.