After marrying her boss a young woman is accused by her former lover, who's on the run from the police, of betraying her former ideals for financial security.
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
A family drama is woven with quiet yet powerful forces of words and nature.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
