"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

Vincenzo is a scoundrel, a petty thief, and he wants to turn a corner. Here’s his brilliant idea: kidnap the dogs of the rich, who those to get them back are willing to pay any amount of money. The abductee’s name is Palla di Pelo, a beautiful Welsh Corgi who lives as if he were the Ferragnez’s son in the mansion of designer Paki Furlan, a haughty homosexual who treats the dog as if it were his own son. Vincenzo, is together with the only accomplice he can afford: his son Alfredo, whom he treats like a dog instead. They prepare the ransom letter, as in the movies: letters taken from the newspaper, no sender. The designer, as per the request of the mysterious kidnappers, shows up at the appointment with the fifty thousand euros in cash. Happy ending for everyone? Not at all, because we know very well that the most beastly beings are precisely men.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
This may be controversial… but 'The Marvels' is actually one of the best movies in the MCU. 10 reasons why 'The Marvels' killed it.
Growing up without a dad, I got a lot of my fatherly advice from the prototypes I saw on the silver screen. It’s these characters and films that gave me a glimpse into a dynamic I had never known but also made me realize that I was missing out. Here are my top 10 paternal films.
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.