‘Fast Color’: A Strikingly Different Take on the Superhero Film - Movie Review
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

Bart Lewis, a young father desperate to pay for his daughter’s cancer treatment, finally lands an interview with a mysterious company offering excellent benefits (including much-needed health insurance) despite being vastly unqualified. Nervously fumbling through his lunchtime meeting with the intimidating Ms. Goodwin, he finds himself excruciatingly out of place, from his soggy sandwich to his lack of credentials. Just as he’s about to be dismissed, a heartfelt plea about his daughter catches her attention. But instead of an opportunity, Lewis is faced with a chilling ultimatum – one that could secure his daughter’s future, but at an unimaginable cost.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.
Effortlessly beautiful and surprisingly tragic.
Overall, Altered Carbon: Resleeved is pretty “meh.” It’s cool and all that it takes a different approach from the TV show to make it animated rather than live action, but it doesn’t help that the animation looks like something from a video game.
A historic documentary about the iconic Disney character gives viewers a glimpse into animation.
A code adopted by gay men and LGBTQ+ individuals in general to subtly disclose your identity to another, “friend of Dorothy” is widely considered to originate with Judy Garland.