Padaharella Vayasu 

Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.

This Transgender Day of Remembrance, let us take a look at six films about transgender children grappling with their identity in a heteronormative world that despises their kind and tries its best to invalidate their feelings.

Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.

This Halloween movie is a remake of the 2003 movie of the same name with Black representation.

A commentary on the exploitation of the elderly fueld by the inherent greed of capitalism.

Black Christmas movies are few and far in between to find — so it is wonderful to see more representation on the screen just in time