Overdose (2021)

There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.

Rules are nowhere to be seen in the harsh unfiltered reality of ‘Fair Play.’

Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.

Laggies is a fantastic movie, filled with down-to-earth characters, transcendent themes, and witty comedy

Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.