After a tragic road accident, broadcast journalist Jin-soo finds he's lost pockets of his memories, including that of a woman he once loved. Nagged by unrelenting feelings of loss, Jin sets out to find her. His quest lands him face to face with Yeon-hee, a woman who's trying to forget a man she once loved. What begins as a journey of sadness turns into a triumphant story of love for the pair.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
Magnolia focuses on how one’s childhood and trauma relate to their confidence and self.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
A lot of us are emotionally impacted by the current pandemic. So, while we’re all stuck here in our homes, it’s great to put on a movie to ease the stress. With that, I made up a small list of some of my favorite feel-good movies.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
Tran Quoc Bao succeeds in telling us a story about martial arts, human decay, and friendship. The originality shown by his filmmaking is admirable and brings fresh air to the classic Chinese martial arts genre.
