Xing, a young artist struggles to balance his passion for art with the expectations imposed on him by his single mother. Personal aspirations and family are put into question when despite her disapproval, Xing participates in an art contest in an attempt to change his mother's mind.
In Amazon’s new shark flick, The Devil’s Mouth, terrible tourists finally get their comeuppance while two estranged best friends must overcome their petty squabbles to survive as the rest of their party gets chomped one by one. While it’s by no means an Oscar winner, The Devil’s Mouth is good old fashioned shark week carnage with a tourist critical twist, perfect with popcorn, a friend, and a healthy does of schadenfreude.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
Two movies that do a fantastic job in conveying the ongoing struggle for racial justice are Selma (2014) and Just Mercy (2019).
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
