
In their village of Puglia (Southern part of Italy on the Adriatic side) Federico and Riccardo have been best friends since childhood. Federico is a penniless playboy, while Riccardo is a young fashion designer. To pursue his dream, Riccardo trades his home for Milan. When Frederick discovers that the Puglia Region provides funding in support of business activities, he convinces Riccardo to come back and open a fashion house. But there is a problem: funding is only available to common law couples, and so Federico and Riccardo must pretend to be a gay couple, and enlist the help of the local newspaper editor, a journalist and Richard’s despotic girlfriend ..
When long-time couple Jenny and Nate break up so Jenny can pursue her journalism career, Jenny leans on her two best friends for one last epic night in the city.
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.