"Sorry, Baby" is a Masterful Look at the Emotions of Life
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.

Flotsam (Thomas) is the daughter and helper of crusty old lighthouse keeper Joe Clark (Edward Ellis, in fine form). The reason why Clark lives 'out yonder' is because he's a fugitive from justice: years ago, he killed a man under complicated circumstances. Clark's official assistant is Amos Bart, but Flotsam does much of the work of maintaining the lighthouse.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
Sonic is a pretty generic buddy comedy with a light dusting of eccentricity.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.