Two married couples set out to go on a trip to a marriage retreat to enhance their marriage, but is faced with dark evil along the way. As darkness falls upon them, secrets are revealed. Trust is no longer among them and what was supposed to be a moment of beautiful memories becomes a nightmare.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
The relationship between the characters is what makes this film stand out, and it’s just all-around fun.
A family comedy that combines fantasy and normal school life.
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
After years of silence, trauma, and backlash, Rose McGowan tells her own story in this miniseries.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
