
Yosef, a math student at the Hebrew University, shares his parents’ story with friends on Mount Scopus. In the 1920s, Yaakov and Chava immigrated to establish the Beit Gilboa kibbutz. They worked hard, danced the hora, and sang “Telem” after plowing. Their love disrupted the communal life, facing opposition from friends like Shmuel. Kibbutz secretary Yitzhak and shepherd Avraham supported them, allowing them to live together in a tent. They married and had a son. A puppet theatre performed “The Story of Balaam,” leading them to feel cursed and return to Germany, where they perished. Their son Joseph reached Europe with Avraham’s help and was welcomed back to the kibbutz, which funded his studies. As the country developed, Zionism turned the curse into a blessing.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
For one widowed father and his five kids, an extraordinary gift will change their lives forever.
Hours before their line-up of screenings for Trans Awareness Week began, the filmmakers of 'When Men Were Men' chatted with me about the film's personal exploration of masculinity.
Paris is Burning elevated drag and ballroom into the public consciousness and permanently impacted LGBT culture. However, the performers featured in the documentary didn't reap the rewards of their visibility.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.