Early classics from director Matt Sterling. Collection of four short films from Falcon Studios and Dimension Films. "Winter's Come" (a.k.a. "Teenage Sex Party") — Rick, Steve, and Don are three beautiful young boys together on a short winter vacation. "Out Of Control" — Davy and Bert had never met before but were aware of one another's reputation of being completely uninhibited. Both were surprised by their great attraction for each other when they met. "On Leave" — Bob was on leave from the service when he met Chris, who was quick to show Bob everything he'd learned. "A Winter Place" — Keith, Dean and Skip enjoy the open conversation near the warm fire. But the conversation soon becomes sexual and the three found themselves turning each other on with stories of their past conquests.
Matt Sterling
Director
Bert Edwards
(segment "Out Of Control") (archive footage)
Davey
(segment "Out Of Control") (archive footage)
Rick Jule
(segment "Winter's Come") (archive footage)
Steve
(segment "Winter's Come") (archive footage)
Don
(segment "Winter's Come") (archive footage)
Dean Chasson
(segment "A Winter Place") (archive footage)
Keith
(segment "A Winter Place") (archive footage)
Skip
(segment "A Winter Place") (archive footage)
Chris
(segment "On Leave") (archive footage)
Bob
(segment "On Leave") (archive footage)
Mai yells what every parent dreads hearing from their child: “tao ghét mày” (“I hate you”) and runs from the scene, where Hai discovers that Mai was telling the truth about the wallet.
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The accountant in question is Christian Wolff (Ben Affleck), who’s neurodivergent. We know this because at a dating event, he bores women with tax advice. He also places his breakfast foods in neat stacks and has no friends.
While it is more than established that Halston’s life is far from a fairytale, the narrative suffers as a result of the decision to revolve more around sex and drugs than his artistry, it likely does a disservice to his cultural impact by pulling focus from his achievements.
“Reboot” is crass and sometimes incoherent, and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.