Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Our Labyrinth poster

Our Labyrinth 

Yoshio Mamiya was angry because of false rumors. It is said that he passed on a vicious disease to his girlfriend, Shinji, and they broke up. Shinji, who agreed to break up with his son-in-law, was also bothered by the rumors. Yoshio finally discovers that the source of the rumors is a gay bar called "Angel" and boards the bar alone. At the bar, hot-eyed Hida, the beautiful Tajima, and the mysterious Serizawa are drinking...Yoshio first approaches Tajima, but when Tajima realizes that he is the rumored Yoshio, he invites him to a hotel. Yoshio is forced to have maniacal sex with one man after another, and when he finally gets close to the truth of the rumors, Yoshio is made to realize his true desires...
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Yoshio Mamiya was angry because of false rumors. It is said that he passed on a vicious disease to his girlfriend, Shinji, and they broke up. Shinji, who agreed to break up with his son-in-law, was also bothered by the rumors. Yoshio finally discovers that the source of the rumors is a gay bar called "Angel" and boards the bar alone. At the bar, hot-eyed Hida, the beautiful Tajima, and the mysterious Serizawa are drinking...Yoshio first approaches Tajima, but when Tajima realizes that he is the rumored Yoshio, he invites him to a hotel. Yoshio is forced to have maniacal sex with one man after another, and when he finally gets close to the truth of the rumors, Yoshio is made to realize his true desires...

Rating:
Genre:
Directed By:Kuninori Yamazaki
Written By:Kuninori Yamazaki
In Theaters:
Box Office:

Runtime:60 minutes
Studio:Tantan-Sha Company, Okura Pictures

Articles You May Like


'Oxygen': Mélanie Laurent Helps Elevate a Familiar Premise

These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.

Matt Geiger