‘Moxie!’- Amy Poehler’s Attempt at Feminist Film
Based on the novel by Jennifer Mathieu and directed by Amy Poehler takes on intersectional feminism.

When Lexi Bell returns home for the holidays, she faces a beloved family tradition she'd rather avoid: the fiercely competitive Bell Bowl, an annual Christmas flag football showdown between her father and uncle that has fueled decades of sibling rivalry. But when an injury sidelines her brother-in-law, it looks like Lexi's family's losing streak will remain unbroken. To give them a fighting chance, she strikes a deal with Eddie, a former local football star-turned teacher: Lexi will use her baking know-how to help Eddie best his brother in their annual bake-off if he'll pose as her boyfriend and meet the "eligibility requirement" to play on their team. As they navigate each other's festive family gatherings, traditions and celebrations, what started as a transactional partnership begins to become something more as Lexi and Eddie find themselves feeling less and less like their romantic relationship is just pretend.
Based on the novel by Jennifer Mathieu and directed by Amy Poehler takes on intersectional feminism.
Korean culture shines in this Canadian export.
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.