“Tony” is Yet Another Good Biopic
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.

Mikako, a housewife who had grown bored with her ordinary daily life, one day suddenly steals a gold temple bell worth several million yen that is being sold by SGC Co., Ltd. at a department store she happens to visit. Captivated by the allure of gold, her world completely changes, and the dream she had as a child—“to do something only I can do”—comes back to life. Recklessly, she begins to plan the theft of Hideyoshi’s golden tea bowl, worth 10 billion yen. As she becomes entangled in a battle of wits with Kinjo, an SGC employee who tries to exploit her, and deals with her husband’s affair after he ends up becoming an accomplice to her theft, almost against his will, trouble continues to pile up one after another.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.
The film follows the biblical story of Moses, from his time as a prince of Egypt, to a leader for the people of Israel. It’s a film that works brilliantly in animation, and is one that both children and adults can; enjoy despite its religious contexts, it is friendly to general audiences.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
While this film thinks that it is diagnosing the cause, it is merely diagnosing a symptom instead.
2026 ranks highest in Oscars history for its representation of minorities in all categories, and that’s definitely something to be celebrated.