Model Jacqueline Lee meets Barker Garrison, a wealthy bachelor. Scheming to give her a life of luxury, he invents an old lady who leaves her fortune to Jacqueline. At a party given by Jacqueline, Garrison's intoxicated friend Rupert Lewis--who knows of the scheme--confesses his love for Jacqueline; rejected, he proposes a toast to "the old lady in Rio de Janeiro ... Barker Garrison"; and discovering the truth, Jacqueline disappears. Meanwhile, Garrison travels over Europe in search of her, and later, in New York, while motoring, he sees a girl fall beneath the wheels of a car and finds her to be Jacqueline. When she recovers, he learns that she has become a famous actress under an assumed name. Perceiving that he loves her, she promises never to leave him.
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
Through its morbidly humorous storytelling, Wednesday tells a tale of a world divided that explores the manifestation of generational trauma in its protagonist Wednesday Addams.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
Black Christmas movies are few and far in between to find — so it is wonderful to see more representation on the screen just in time
Like most young people, Leviticus is imperfect. But I love it anyways.
