'Don't Make Me Go' — A Basic Story With The Year's Most Heartbreaking Ending
'Don't Make Me Go' is what you would expect, Wally and her father, Max, clash tremendously and don't understand each other. Although, it's very heartwarming.

After cheating on her girlfriend, Jade (Grace Rolek) finds herself isolated in a world of newfound heart break. Determined to suffer through the grieving process alone, she refuses to answer calls, texts or communicate with friends and family. In her booze-soaked depression, Jade attempts to rediscover what being alone really means. With no one to blame but herself, she indulges in self-destructive behavior to cope. Despite her attempts to ignore her estranged best friend Avery (Cleopatra Boudreau), Jade is surprised to find her showing up at her door and entering (well, stampeding) into her space. What unfolds is a night of reckoning and rediscovery of their friendship.
'Don't Make Me Go' is what you would expect, Wally and her father, Max, clash tremendously and don't understand each other. Although, it's very heartwarming.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
Sunny Sandler, daughter of Adam Sandler, stars in a new Netflix film directed by Julia Hart, and it has caught the attention of many younger audiences as they watch this heartfelt coming-of-age story. The film's relatability of just being a normal teenage girl also tells a devastating reality that many cannot fathom facing. The storyline showcases a deeper meaning of the classic theatre kid saying, “the show must go on”, and emotionally captures the struggles that happen on and off the stage.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7