The Skeleton In The Closet: 8 LGBTQ+ Horror Films Claiming The Genre
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.

Jon Vickers was one of the most magnetic singing actors of the 20th century and Otello one of his greatest roles. He understood how to combine Shakespeare’s rich characterization and Verdi’s dramatic music to create an overwhelming figure, one whose death left audiences deeply shaken. Vickers is perfectly partnered by James Levine’s conducting and the Met’s sensational orchestra and chorus. Renata Scotto is an appealing Desdemona, Cornell MacNeil is a menacing Iago, and Franco Zeffirelli’s production is deservedly legendary.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
In this remake of the 1993 film of the same name, The Wedding Banquet follows the life of two queer couples as they struggle with life-changing decisions.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.