Listening in to a conversation between his doctor and parents, 10-year-old Oscar learns what nobody has the courage to tell him. He only has a few weeks to live. Furious, he refuses to speak to anyone except straight-talking Rose, the lady in pink he meets on the hospital stairs. As Christmas approaches, Rose uses her fantastical experiences as a professional wrestler, her imagination, wit and charm to allow Oscar to live life and love to the full, in the company of his friends Pop Corn, Einstein, Bacon and childhood sweetheart Peggy Blue. Written by American Film Market
Éric-Emmanuel Schmitt
Director
Amir Ben Abdelmoumen
Oscar
Michèle Laroque
Rose
Max von Sydow
Le docteur Dusseldorf
Mylène Demongeot
Lily, la mère de Rose
Jérôme Kircher
Le père d'Oscar
Amira Casar
Madame Gommette
Constance Dollé
La mère d'Oscar
Benoît Brière
L'annonceur
Mathilde Goffart
Peggy Blue
Bruno Metzger
Le père de Peggy
Catherine Israel
La mère de Peggy
As a whole, Sightless pushed boundaries between illusion and reality. It made viewers question if there really is a difference. Ellen was strong, brave, and even compassionate given her situation. She was a force to be reckoned with.
The July episode of Incluvie Movie Highlights provides 4 exciting films that have polarizing reviews! Special guest and Incluvie movie critic Daleyna joins in to discuss Mr Malcolm's List, a regency-era film set in England, starring leads of Indian and African heritage (Freida Pinto and Sope Dirisu), which is a first! Don't Make Me Go, starring an Asian and Blasian lead (John Cho and Mia Isaac), is a sincere film with a controversial ending! Don't worry, no spoilers. 1Up, about a team of female gamers led by Paris Berelc, who's half Asian, receives acclaim on Incluvie, but much hate everywhere else on the internet. And the feature film... is Nope ! One cohost thinks the film was imaginative, while the other cohost insists it was boring (but with good social commentary)! Who thought what? Tune in with your hosts: Cathy Yee and Hazel Bolivar!
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.
“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.