Mario is an unemployed engineer, a victim of the economic crisis. Discouraged by job advertisements that do not reflect his capabilities and demoralized by numerous financial deadlines, he decides to organize the heist of the century. The police has just stored in a military facility the largest quantity of cannabis ever seized in Switzerland, and it will be burned shortly. Mario plans to substitute it with common hay without anybody noticing: if the evidence simply disappears, so does the crime... Searching for trustworthy members of his gang, Mario brings together Ivan, Augusto, Leo, Monica and 'The Professor', each of them more desperate than the other and convinced to have found the 'green gold' that will change their lives.
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
The relationship between the characters is what makes this film stand out, and it’s just all-around fun.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
CODA' is about a child of deaf adults torn between staying with her parents and her dreams of pursuing music. This film is a step forward for deaf representation and disability in movies despite negative messages about the burden of actors deaf deafness.
