Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Orgy World: Brown and Round 3 poster

Orgy World: Brown and Round 3 (2004)

The one and only brown and round strikes again! With all the tightest freakiest sistas working their stuff -Till we break 'em! A poolside pizza party, lingerie shows and a gang of curvy freaky fine hos having the best time with all the homies in the nastiest ways these sluts know how. This is the fantasy you love, live and in color!
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


The one and only brown and round strikes again! With all the tightest freakiest sistas working their stuff -Till we break 'em! A poolside pizza party, lingerie shows and a gang of curvy freaky fine hos having the best time with all the homies in the nastiest ways these sluts know how. This is the fantasy you love, live and in color!

Rating:NR
Genre:
Directed By:T.T. Boy
Written By:
In Theaters:1/20/2004
Box Office:

Runtime:130 minutes
Studio:Evasive Angles

Articles You May Like


Indie Film Review “Good Side of Bad” Mental health issues, coping with them, and the necessary awareness to help those affected once more takes center stage with relentless intensity and purpose

The shattering of what we strive to maintain as reality. It is certainly truthful to state that most, if not all, of us have experienced moments of genuine mental stress. Regardless of what might be the cause, the sheer unsettledness, the pressure that weighs upon us is a tangible force that CAN seem insurmountable. However, more often than not, this is only a temporary , one we can come through and simply move on from.

Kirk Fernwood

'The Half of it' Handles its Presented Social Issues Thoughtfully

The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.

Andrea Amoroso