"The World to Come": A Stunning Period Romance
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.

Antonio Florio, conducting the Orchestra and Choir of the Teatro Regio, tackles Claudio Monteverdi's rich score. The cast includes Roberta Invernizzi, Mauro Borgioni, Francesca Boncompagni, Monica Bacelli, Luigi De Donato, and Luca Tittoto, internationally renowned soloists and recognized experts in the field of Baroque opera.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
This is a film that is going to leave some people bored, and some people thrilled.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
The newest in a long line of Cinderella adaptations, Amazon’s Cinderella (2021) prizes girlbossification above the very story it tries to adapt.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.