When Eurydice dies on their wedding day, Orpheus, unable to accept her death, descends into the underworld to retrieve her. But as they ascend to the realm of the living, will he be able to refrain from looking back at her, lest he lose her forever? Director Monique Wagemakers, together with choreographer Nanine Linning and artist Lonneke Gordijn (Studio DRIFT), developed the concept for this opera as a contemporary Gesamtkunstwerk that fully integrates stage direction, choreography and design. The costumes of fashion designer Marlou Breuls accentuate and enhance the effect of homogeneity.
When the world lost Chadwick Boseman on August 28, 2020, we all saw the impact of representation in film. Boseman was not only a Black superhero leading a Black cast in one of the most successful films in history; but his successes paved the way for more, long-overdue diversity in Hollywood.
'Bodies Bodies Bodies', the latest from indie powerhouse studio A24, is a great time. Full of dark comedy laughs, great performances, and genuine scares, it's a perfect addition to modern slasher classics.
J Brooke, Incluvie Guest Columnist on 'Life and Beth' and 'Sort of': while living one’s truth is freedom, speaking it as a mandatory assignment can become captivity.
The 'Shaft' remake fails to capture Blaxpoitation's rebellious spirit.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
