
A sickly man places a classified ad in which he offers a huge downtown loft apartment, utilities, food and eventual ownership of the flat with just one proviso: the couple who moves in must love each other so much that they can remain in the flat all day until the old man’s death. If one of them leaves, the deal is off. Enter the pale and auburn-haired Katya, a cellist who meets photographer Roman, a handsomely muscular young man.
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
Have you ever wondered what it's like to work at the greatest arts and entertainment company? This documentary film gives us a look at the people who make the magic.
Adam Sandler goes hard as an NBA scout in this male-heavy sports-drama.