It’s a bird, it’s a plane…it’s "Harriet"!
This is not a story of oppression but a story of liberation.

Successful horror film writer Paul Salem (Crispin Manson) is sick and tired of churning out the same old "blood 'n' guts" script. Never could he imagine that inspiration for a new story would come so easily or be so terrifying! Out driving one night, Paul nearly runs down a young woman (Nicole Streak) being pursued by a black-cloaked killer. The two barely escape, but soon discover the maniac is hunting them down wherever they go. The traumatized woman is unable to speak, yet she seems to hold the only key to both the killer's identity and his bloodthirsty motives. And as Paul is drawn deeper into the spiraling mystery, none of his frightening works of fiction could have prepared him for this real-life horror movie and a deadly confrontation with insanity and murder
This is not a story of oppression but a story of liberation.
"Marriage Story" is a narrow-minded and heavy-handed attempt to examine the complexity of human relationships.
Who knew a drunken game of truth or dare could launch one of the most chaotic rom-coms of the year? The Threesome takes Connor’s fantasy night with Olivia (Zoey Deutch, in peak queen-of-indie form) and Jenny (Ruby Cruz) and flips it into a deliciously messy nightmare when both women end up pregnant. What follows isn’t cheap comedy—it’s a whip-smart, heartfelt exploration of love, consequence, and the beautiful disasters we call adulthood.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
Twisting what seems to be obvious setups and frameworks is what sets the story structure of Squid Game apart. I appreciate that this narrative is complex but not complicated; an easy enough plot to wrap your head around while still treating the audience like an equal participant in this social commentary