After spending over half his life in prison, ex-hitman Kunihiro is determined to go straight. But the shortcomings of the new gangs mean that he is soon having to call on his old-school yakuza talents. And when he falls for Asako, a beautiful piano player, she unknowingly ignites a fire within Kuni that will immolate everything and everybody around him. Regarded by many as his masterpiece, Onibi has all the hallmarks of a Mochizuki film, with the gangster elements tightly compressed and controlled to allow space in which a subdued romance can bloom. Coming from a background in porno cinema, this master of sexual relations injects a fresh passion and tension into the macho world of the yakuza film.
Rokurō Mochizuki
Director
Yoshio Harada
Noriyuki Kunihiro
Reiko Kataoka
Asako Hino
Show Aikawa
Naoto Tanigawa
Kazuki Kitamura
Hideyuki Sakata (as Yasushi Kitamura)
Ryushi Mizukami
Hanamura
Hiroyuki Tsunekawa
Satoshi Fujima
Yoshiaki Fujita
Kinjo
Ei Kawakami
Yoshida
Toshihiro Kinomoto
Aoki
Seiroku Nakazawa
Nagashima
Masai Ikenaga
Kizaki
Overall, Cruella stands above the other Disney retellings. Its dark and bold, and that is exactly what these retellings should be. Emma Stone continues to prove she's one of the finest young actresses working today, and Emma Thompson gives one of the best villain performances in the last decade. The fashion is stunning, the dogs are adorable, and the story is wildly vibrant and original. It's classic movie fun, and it shouldn't be overlooked.
In light of the trailer release for the Five Nights at Freddy's sequel, it’s due time to talk about the first movie.
Clearly, in the end, Allison raised a responsible child because she knew that her "friend" was doing something that made her uncomfortable and turned away from her. No worries, Super mom was already one step ahead of her.
In honor of AANHPI Month, let's celebrate Filipina-American pop star Olivia Rodrigo and her love of horror movies.
I imagine that it would be a dream job for an actor to play the parts of twin brothers Dominick and Thomas Birdsey in I Know This Much Is True.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.