Romance takes a back seat to drama in this movie depicting life at the once-fashionable Parisian bordello known by its address 122 Rue de Provence. Patronized by the wealthy and powerful, this elegant house of prostitution featured a top-ranked restaurant and specialized rooms for men with unusual tastes: a railroad carriage room, a stable room, etc. In the story, two young people "on the make" bump into each other as they are arriving in the same rail station. Though attracted to one another, they are deliberately vague about their destinations. He is headed for a diplomatic career, she is an ambitious young prostitute who wants to work at the best house in France. Later, they meet at 122 Rue de Provence.
Disguised as a cosmic highway horror, Alexander Ullom’s It Ends is a beautiful, albeit terrifying, metaphor for learning that if you want to survive adulthood and become your own person, you have to learn to let people go.
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
Although bogged down by a slow pace and moralistic intent, ‘Deadly Garage Sale’ (2022) makes the most of its silly and nonsensical premise.
