Baggage (2026): Surrealistic Visual Language and Confront the Past
Baggage’s experimental mixed formats visualized a woman’s brave inner journey of visiting the museum of her fragmented memories.

For more than 25 years, Marc Côté, street chaplain and parish priest, has lived with the poor and the homeless. Today, Marc is a worn-out man. Exhausted from running his church, which serves as a shelter, and overwhelmed by the bills they can no longer pay, Marc must face the facts: he will have to shut down his church. Like a call from Providence, he inherits a property in the Bas-du-Fleuve region and decides to take a group of homeless people with him, who, like himself, need a vacation.
Baggage’s experimental mixed formats visualized a woman’s brave inner journey of visiting the museum of her fragmented memories.
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
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It’s no wonder Peele won an academy Award for Best Original Screenplay. His script is layered with perspective and subtlety. Through a terrific vision, Peele creates the gift that keeps on giving. The clues and symbolic representations are aplenty, and as each viewing passes, you are destined to find something new. That’s a mark of great cinema.
The relationship between the characters is what makes this film stand out, and it’s just all-around fun.