Relaxing on a cozy beach, the Straw Hat Pirates are taking a rest from their quest. Right until Luffy noticed the Going Merry has been hijacked and sailed off from the beach. This leads them to search the ship and find the thief who took it from them. They ran into a duo named the Theif Brothers, who informed them that their ship was stolen by a group of pirates called the Trump Kyoudai. When they encountered the Trump Pirates, Nami ended up getting kidnapped as well as Luffy's hat. They tracked down the pirates to their base on Clockwork Island. Now Luffy, Zoro, Sanji, Usopp, and the Theif Brothers must reclaim the Going Merry, Save Nami, and get back Shank's straw hat.
Junji Shimizu
Director
Mayumi Tanaka
Monkey D. Luffy (voice)
Kazuya Nakai
Roronoa Zoro (voice)
Akemi Okamura
Nami (voice)
Kappei Yamaguchi
Usopp (voice)
Hiroaki Hirata
Sanji (voice)
Kenyu Horiuchi
Borodo (voice)
Akiko Yajima
Akisu (voice)
Daisuke Gori
Akisu's father (voice)
Sumi Shimamoto
Akisu's mother (voice)
Tetsu Inada
Danny (voice)
Osamu Ryutani
Denny (voice)
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
If you want to feel the rush, you have to take the risk.
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
Despite this genre not being a new one, The Novice offers a fresh perspective with its study of performance anxiety