The End of “The End of Oak Street” is Oak Street
An attempt to capture nostalgia that unfortunately just doesn’t work

Emma Yesica Duvali, a 61-year-old trans woman, returns to the stage and recalls the transcendental moments that marked her life: her childhood, her first jobs, the police violence she faced during the times of Negro Durazo and how she became a vedette. A journey through time through Yesica's memory and the nightlife of theaters and cabarets in Mexico in the eighties.
An attempt to capture nostalgia that unfortunately just doesn’t work
There is a lot of controversy around Q-force. It’s certainly not hard to see why—the series is quite hyperbolic. I will say, that was the first aspect I noticed on my initial watch. Right from the get-go Q-Force barrages you with gay joke after gay joke. This is hit or miss throughout the series.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.