“An American Pickle” Should Have Stayed in the Jar
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.

Suffocated by a cruel, inescapable siege imposed by the Syrian regime and after five months of incessant and senseless shelling, a group of children living in Aleppo start painting the walls of their city. It is an act of protest as well as resistance: a small act that dares to dream of bringing back life in a place that has been humiliated by bombs and bullets, while international powers were watching without doing anything to save lives. Thus, the colours sowed throughout the devastated city sprout small beacons of hope for the thousands of people trapped in Aleppo, smothered by the ruins and rubbles. So, while the Russian forces cut off supplies of food and medicine, more than 280,000 civilians languishing without a home or a shelter try to find new hope and reasons to go on. What happened in Aleppo will never be forgotten.
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
Ant-Man is a 2015 live action film based on the Marvel Comics characters of the same comics series, including Scott Lang and Hank Pym, along with others.
Based on a true story, this sports movie is centered around a college football player.