'Venom: Let There Be Carnage' Is a Gay Love Story and I'm Here for It
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.

Billy Warren, timekeeper on the construction job, arouses the enmity of Brent and Easton when he resents their bullying of the other men. Pay day finds the men celebrating in riotous fashion, and Brent in a crazed moment breaks into the station and attacks Helen. Her cries bring Warren, who trounces the bully.
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
In this short film, writer/director Nikita Hattangady focuses on Jai, a starving artist rooted in the latter category. Though unhoused, he works hard.
Eventually, “Hobbs and Shaw” introduces us to a Samoan community. Clearly, Johnson’s Samoan roots are on display. Quite frankly, I found this section of the film very intriguing. The “Fast and Furious” franchise has a solid track record in the diversity department
Ester Shapiro who flees the only home she has ever known to start a new life in Berlin.
Armed with a $400M budget and Tom Cruise’s death-defying stunts, Mission: Impossible – The Final Reckoning delivers pulse-pounding action even as its plot falters. From underwater silence to high-altitude madness, it's pure adrenaline powered by old-school movie magic — but is this really Ethan Hunt’s final mission?