Susan has the world on a string, and when she finds herself featured in a personal ad, she has the Esquire family jewels in the palm of her hand. Unaware she has filched a fabulous fortune, that light-hearted, light-fingered lady goes in search of her classified Casanovas. Rochelle, who has designs on a piece of Susan's good fortune, runs head-on into Susan, and some madcap antics begin to unfold.
CODA' is about a child of deaf adults torn between staying with her parents and her dreams of pursuing music. This film is a step forward for deaf representation and disability in movies despite negative messages about the burden of actors deaf deafness.
Can a homeless yet optimistic teenage girl learn to accept a helping hand?
In Tall Girl, Jodi learns to stand tall and find confidence within.
"La Noria" deftly subverts audience expectations as it explores childhood grief, anxieties, and pain. The award-winning short shows us that often our monsters are often sprung from our darkest places.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)
