Exit 8: The Endless Loop in the Modern Society
A man found himself stuck inside the passage to the subway exit on the way to work.
Once I Got in, It Was Hard to Get Out
Ida is cleaning out the house that her grandfather, an artist, used to live in. She wades through a studio overflowing with artefacts, oddities and lost history. Similarly to S P A C E S, Štrbová treats the theme of memory and loss, combining fiction and documentary, letting the images of nostalgic childhood and the suffocating past flow associatively. To the sound of Francesco Geminiani's Concerto grosso no. 12, subtitled Madness, the fragile physicality of both dead and living relics stands out. The head of a dead parrot, a cast of her grandmother's breasts or a moss-covered real estate agent represent the discoveries of a personal archaeological site and exhibits of an introspective museum of family history.
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Ida is cleaning out the house that her grandfather, an artist, used to live in. She wades through a studio overflowing with artefacts, oddities and lost history. Similarly to S P A C E S, Štrbová treats the theme of memory and loss, combining fiction and documentary, letting the images of nostalgic childhood and the suffocating past flow associatively. To the sound of Francesco Geminiani's Concerto grosso no. 12, subtitled Madness, the fragile physicality of both dead and living relics stands out. The head of a dead parrot, a cast of her grandmother's breasts or a moss-covered real estate agent represent the discoveries of a personal archaeological site and exhibits of an introspective museum of family history.
Rating:
Genre:Documentary, Drama
Written By:Nora Štrbová, Hermína Peričová
In Theaters:
Box Office:
Runtime:29 minutes
Studio:FAMU
Cast
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