How The Suicide Squad's Polka-Dot Man Helped My Anxiety
The Suicide Squad's Polka-Dot Man aka Abner Krill, played by David Dastmalchian, helped me come to terms with my own issues of anxiety.

Set in Hong Kong and Vancouver, the story follows Mac Ramsey and Li Ann Tsei, lovers and professional thieves who are separated while fleeing the powerful Hong Kong underworld crime lord who raised and trained them. After being imprisoned in Hong Kong, Mac is forcefully recruited into a clandestine international crime-fighting unit by a hard-nosed, menacing Director. He is teamed in Vancouver with Li Ann, who thought Mac was dead, and her new fiancé Victor Mansfield, an ex-cop who is attracted to the unorthodox methods of the agency. Conflict flares between Mac and Victor as the trio take on their assignment. They soon learn that their principal target is their foster brother Michael Tang, who had been given Li Ann as his future wife and who has vowed to hunt down the pair for their disloyalty to the "family".
The Suicide Squad's Polka-Dot Man aka Abner Krill, played by David Dastmalchian, helped me come to terms with my own issues of anxiety.
A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.